Programme notes: Bartók Romanian Folk Dances
BÉLA BARTÓK 1881-1945
Romanian Folk Dances
1. Joul cu bâta (Molto moderato) Stick Dance
2. Brâul (Allegro) Sash Dance
3. Pe Loc (Moderato) Stamping Dance
4. Buciumeana (Andante) Horn Dance
5. Poarga româneasca (Allegro) Romanian Polka
6. Maruntel (L'istesso tempo) Fast Dance
7. Maruntel (Allegro vivace)
An important element in Bartók's musical personality was his respect for what he recognised as a disappearing art; that of central European folk music, which had been irrevocably disrupted by the First World War.
The composer had made numerous collecting expeditions in Romanian villages between 1909 and 1913, and was thus able to capture the memories whilst they were relatively fresh when he composed these short dances in 1915, originally for piano solo, but with a version for chamber orchestra following two years later. They remain among his most popular and accessible works.
Bartók pays tribute to the original peasant melodies by attempting no more than to set them in the simplest possible forms. Exotic in their modalities and full of rhythmic surprises, the dances steadily gather in momentum with the last three being played without a break.
The composer had made numerous collecting expeditions in Romanian villages between 1909 and 1913, and was thus able to capture the memories whilst they were relatively fresh when he composed these short dances in 1915, originally for piano solo, but with a version for chamber orchestra following two years later. They remain among his most popular and accessible works.
Bartók pays tribute to the original peasant melodies by attempting no more than to set them in the simplest possible forms. Exotic in their modalities and full of rhythmic surprises, the dances steadily gather in momentum with the last three being played without a break.
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